55
Vogler, 156.
56
T.S Eliot, “Tradition and the Individual Talent,” Criticism: The Major Texts, ed. Walter Jackson
Bate, (Miami: Wolf Den Books, 2002), 482.
57
A list of potential influences for the Indiana Jones story and characters can be found at:
http://www.theraider.net/information/influences/inspirations.php
58
Craig Detweiler, Into the Dark: Seeing the Sacred in the Top Films of the 21
st
Century, (Grand
Rapids: Baker Press, 2008).
59
Friedman, Citizen Spielberg, 83.
60
Friedman, Citizen Spielberg, 78.
61
Major actions stars of the 1980s are Arnold Schwarzenegger (Predator, Commando, The
Terminator) and Sylvester Stallone (First Blood, Rambo II, the Rocky films), among others. A
useful critique on the hypermasculine action genre is Tasker, Yvonne. “Dumb Movies for Dumb
People: Masculinity, the Body, and the Voice in Contemporary Action Cinema.” Critical Visions
in Film Theory. Edited by Timothy Corrigan, Patricia White, and Meta Mazaj. (Boston/New York:
Bedford/St. Martin’s, 2011), 754-766.
62
Friedman, Citizen Spielberg, 113.
References
Addison, Joseph. “The Pleasure of the Imagination,” Criticism: The Major Texts, ed. Walter
Jackson Bate, (Miami: Wolf Den Books, 2002), 169-172.
Alsford, Mike. Heroes and Villains (Waco: Baylor University Press, 2006).
Brockriede, Wayne. “Rhetorical Criticism as Argument,” (Quarterly Journal of Speech. 60.2.
1974), 165-74).
Campbell, Joseph. The Hero With a Thousand Faces, (Novato: New World Library, 2008,
originally printed in 1968).
Eliot, T.S. “Tradition and the Individual Talent,” Criticism: The Major Texts, ed. Walter Jackson
Bate, (Miami: Wolf Den Books, 2002), 481-485.
Friedman, Lester D. Citizen Spielberg, (Urbana and Chicago: University of Illinois Press, 2006).
Friedman, Lester D. and Notbohm, Brent. Steven Spielberg: Interviews (United States: The
University Press of Mississippi, 2000).
32
Journal of Religion & Film, Vol. 18 [2014], Iss. 2, Art. 7
https://digitalcommons.unomaha.edu/jrf/vol18/iss2/7
DOI: https://doi.org/10.32873/uno.dc.jrf.18.02.07