could not go their separate way and still feel complete. When that happens,
you know you’ve done your job well.
4. Reveal your twisting plot slowly, with the stakes high and the end always in doubt
As the saying goes, the world was made round so we could never see too far ahead. Syd
Field’s book on screenwriting techniques is still the best plotting advice I know.
Basically, start with a bang, build tension, offer a few resting moments, then throw in
complication after complication until it appears all is lost. At that moment, your
protagonists will refuse to give in, launch their final bold attack, and since this is popular
fiction, emerge triumphant.
Creating this kind of high-tension plot is definitely easier said than done. For me, it takes
three or four iterations to get a suspense plot right. I outline my first attempt at plot, see
all the holes, rewrite the outline, realize the whole thing is trite, throw it out, and start
over. Generally after a few cycles of thinking and trashing, I have something I can
tolerate. I know other authors who write down seven possible resolutions to the conflict,
throw them all out, then go with the eighth—figuring the first seven were the predictable
answers so the eighth idea will be the one that truly surprises the reader. Generally, a
twisting suspense plot will require you to back fill foreshadowing and relevant details.
Remember, if you can see what’s going to happen next, so can the reader.
5. Exacerbate conflicts and character development with sexual tension
The Gothics do it best. The brooding man, the mysterious woman. The burning
attraction that might finally illuminate their lives or plunge them once and for all into
darkness. Sexual tension adds so much to suspense. It contributes to mystery: Is this
person friend or foe? It ratchets up the tension, keeping the reader flipping pages until
the late hours of the night. It complicates the plot—there’s nothing simple about love or
lust. Finally, it exposes your characters. Sex makes people vulnerable and in suspense
novels, your characters generally can’t afford to be vulnerable. They want, they fear,
they need. This is potent stuff.
Personally, I like sexual tension to closely track the suspense plot. As danger mounts, so
does desire. As the future becomes more and more uncertain, the need for personal
connection becomes even more paramount. Ultimately, the characters come together in a
tumultuous mix of passion, vulnerability, and hope. This release of physical tension
makes a great “breather” for the reader right before the plot suffers a final, dramatic
twist.
6. Tantalize your reader with hints of hope
We need to have doubt, we need to have fear. But what keeps conflict high and a reader
interested is that distant glimmer of light at the end of the tunnel. By definition, a
romantic suspense novel is still targeting the romance market. Remember why romance
readers read—for escape, for entertainment, and for happily-ever-after. If your book
“Seven Secrets of Romantic Suspense” ©1999 Lisa Gardner www.LisaGardner.com Page 3