comedic sensibilities hard to imagine translating to stand-up comedy that
I had doubts about Legalise everything.
Sometimes it is good to be wrong, Eric Andre: Legalise Everything is a
riot. If the Eric Andre Show was an impression of a talk show host, his
impression of a stand-up comedian is just as interesting. The show
starts with a street bit in which Andre imitates a police officer dispensing
“goodies” from the evidence room, so far so familiar for established fans
of his work.
On the stand-up stage Andre’s powerful physicality remains intact. He is
at his jumping around, shrieking best and is not afraid to use his body as
the punchline. I am sure some stand up purists may take issue with an
act who must roll around on the floor to sell a gag. However, I cannot
think of many acts who could pull off miming their little brother brushing
his teeth with cocaine with the same fervour.
The show does touch on some radical topics such as police brutality,
feminism, sex work and the war on drugs. All of which are subterfuge set
ups Andre uses to about turn straight back into the surreal and perverse.
For example, a bit about the plight of factory farmed animals quickly
turns into a call for us the audience to start “titty-fucking” genetically
modified chickens. The unpredictable energy from Andre’s other work
carries through in this regard as he continuously undermines his own
premises throughout the show, however as an audience it is also easy to
believe in his storytelling. This is not achieved through wordplay or
sincerity, but because it is easy to believe there is genuinely nothing the
man would not do! Andre is also skilled at crowd work throughout. There
was no cliché “what do you do for a living?” audience interaction, instead
an audience members parents where brought out on stage to strip off
and show how they were conceived.
Comedians who go for shock value can become tiresome quickly, and I
would understand those who feel Andre does not have much else to say.
I would argue there is nobody in comedy doing what he does, however.
Especially one who could push the same limits and still somehow remain
endearing. His material in the hands of a more cerebral comedian would
be a brutal mess and that’s not to say there aren’t lighter moments in the
show – a video call with an audience members unsuspecting mother or
opening up about his Black and Jewish ancestry for example. The
teasing here is gentle and shows a comedic range outside of the mania.